A ficcionalização da memória, o mundo do trabalho e autoficção em Estou me guardando para quando o carnaval chegar

Abstract

Based on the intertwining between Memory Fiction and Autofiction, we sought to work on these concepts as reverberators of a certain discourse constructed in I'm Keeping Me Safe for When Carnival Comes. We base our reading keys on the literature of the philosopher Jacques Rancière, to work on the polysemy and fictionalization of the analyzed documentary. Autofiction is constructed as the foundation of the fictionalization of the memory constructed there, also being the operator of a scene of dissent. After going through the theoretical path of reflections, we come across practical developments arising from these considerations: a short film that seeks to condense what was treated and discussed.