Instalação e espaço um olhar a partir da obra de Carlos Fajardo

Abstract

This research discusses the notions of installation and space in the visual arts in Brazil, from the perspective proposed by the work of São Paulo-based artist Carlos Fajardo. Born in 1941 and beginning his career in the late 1960s, starting from the idea of painting as a surface phenomenon, he developed his spatial work by exploring issues such as the non-narrative nature of the artwork, its interaction with the world, its relationship with the surrounding environment, and with the present subject. The analysis of his artistic production is accompanied by the artist’s own discourses—lectures and interviews—that bring important discussions for understanding the transformation of the art field in Brazil through his practice. In addition to his artistic production, his role in art education is also considered significant: after 60 years of teaching (and practice), Fajardo continues to mentor students at the University of São Paulo. The issue of teaching emerges as a complement to his artworks, which deal with the relational notion of present subjects. The first chapter presents the artist, the origins of his work, and his relationships with Wesley Duke Lee and art education. The second chapter presents his first installation, created in 1984 at MAM/RJ as part of an experimental Brazilian contemporary art project. The third chapter discusses the 1989 installation held in São Paulo at the Gabinete de Arte, where the installed pieces take on a new place in space and propose a new use of material. The fourth chapter presents two different installations created in São Paulo in 2002 and 2012, occupying the same reconstructed location. These are two spatial proposals that explore the use of glass and mirrors to occupy space. The research focuses on these four exemplary occasions, incorporating references used by the artist, critical commentary, and other descriptions. After the conclusion, a list of exhibitions in which the artist participated (including various Biennials, institutions, and galleries in Brazil and abroad) is included, along with an interview conducted at the artist’s home-studio in September 2024.